Situated Knowlege///New Materialism

newmaterialismmirjamkrokerUseraMadridChinacontemporaryart

U

               SE

   RA

B e y o n d F i c t i o n

S i t u a t e d Knowledge

For those who

are still interested in reality

mirjam kroker

Artistic Research:

On New Materialism about Situated Knowledge

Material:

3 kilometers of streets in Usera, Madrid

Time

Material realities of everyday life around Usera,

different papers and newspapers found in Chinese groceries around Usera, Madrid

Location: Usera, Madrid

Project description:

Since I moved to Usera, a district in Madrid with a high density of Chinese population which also manifests in a high variety of Chinese groceries, shops and restaurants, I came across many new materials which aroused my curiosity.

The encounter with different Chinese newspapers, other materials, basically made out of paper whose (proper) use was at first unknown to me enabled a research on the idea of Situated Knowlede and to approach questions about what New Materialism could mean »to me« and if the ideas behind could allow me to shift my perception and direct my action regarding the use of the material in a specific way.

As we know New Materialism is not about a new matter it rather refers to our approach towards it. A certain reaction on the interdisciplinary concern about the dominance on the act-of-speach-theoretical approach towards understanding reality at universities. The newspaper as  text/image based material is of particular interest to me.

Specially in social science and humanities but also very interesting from the perspective of visual art – since ever dealing with materiality – the question on how to adress material became central after the linguistic turn.

Re_working with traditional material as the newspaper and other materials with a cultural use (the papers with colour) I dont adress the material from an epistemological perspective but rather ontological one.

These material realities of everyday life in Usera are obviously connected to a broader geopolitical and socioeconomic structure which I do not intent to explain or evaluate with my work. My focus lies on the material itself, which often due to l a n g u a g e fall out of vision. According to my lack of reading and understanding Chinese the newspapers demanded for another approach, which allowed me to establish a different way of perceiving and utilising them beyond the codified canonisation of its semingly fixed purpose. Thereby a different knowledge is also revealed.

My interest lies in the corelation between the material and me, the material I create, a third person and how it links to reality.

The idea behind New Materialism is also an attack on the view that only language alone is constitutive for reality.

The material offered me agency to shape our relation in different ways.

Ref.:

Griffiths, Morwenna: Research and the Self. In: Michael Biggs, Henrik Karlsson (Hg.): The Routledge Companion to Research in the Arts. London, New York 2011, S. 167-185.

Haraway, Donna: Situated Knowledges: The Science Question in Feminism and the Priviledge of Partial Perspective. In: Feminist Studies, Vol. 14, 1988, S. 575-599.

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