The fusion between working, living and being is inextricable by its nature. It implies for me personally basically to things – art as idea and art as action – I try to bring both into a conceptual context in a permanent transformation of matter. In doing so the material condition and visual instance is as important as the idea it conveys for the possibility of its (personal and impersonal) consequences. 

It leads to the agency of the work itself where conceptual ideas may lead to personal moves and vice versa. The notion of art_work lies for me in its exteriorizing nature and though becomes a manifestation of how we approach our planetary condition, and the entire cosmos as our library.

I approach research also collaboratively and seek to work across disciplines.


I am interested in questioning the circulation, production and recording of knowledge against a certain certainty of perception.
My work consists of modules of in_complete collections of information and ideas and can be described as situated practice. Therefore I travel to various places in closer and further surroundings from Kiev, Dar es Salaam,  to Mexico City.


Modules have many secrets, interpret time, show development arrears! The basis of these modules are the sheets that I name DOCUMNT_DRAWINGS. Together with other fragments of film, audiorecordings and objects they assemble in what I would name „Arrangements of Im_possibilities“ in working environments. Records of the interface between art and everyday life. Here I am equally interested in what we name formal and informal knowledge whereas much lies in-between. Stories about how we know the world and how we arrange ourself  in it. References are therefore a very vital moment and are mostly part of the work itself.